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Abraham Lincoln Vampire Hunter 3D Blu-ray Review

 

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Blu-ray 3D title  Abraham Lincoln Vampire Hunter 3D Blu-ray 3D
Type of 3DConversion
Release Date U.S.:  10.25.12 / FR: 02/01/13
Format  
Tested versionAmerican
Region  
Audio: English  
Audio: French  
Global 3D  EvaluationGOOD



Introduction:
When Abraham Lincoln discovers that bloodthirsty vampires are preparing to invade the country, he vows to eliminate them one after the other, with an ax. It was then that turns a hunter outstanding, leading a secret war unprecedented, even before becoming illustrious figure of the Civil War.

director Timur Bekmambetov delivers a fantastic production completely uninhibited and unrealistic where the image precedence over everything else. Everything is pretext to stage various sequences of bravery muscular, with all the traditional panoply of effects used in movies like: slow on the hero, bullet-time, tracking shots spectacular effects SFX ... The use of 3D can enhance the visual power of the film by his sense of irony and cliché, does not aim to be part of the historical film genre nor the faithful reconstruction (various costumes and decorations approximate anachronistic objects ...). Instead Abraham Lincoln is a kind of epic Blade which shows boundless imagination to decapitate the vampire (bellows, ax, shelf, sliding door ...) on false bottom of Civil War. Here again the test of 3D U.S. version of the Blu-ray 3D preview with Halluciner.fr !
  
 

Image and depth:
From the first minutes, we realize an excellent image quality. The first sequences in the dark show incredible depth of black, blue filter that associated with outdoor scenes definitely enhance the aesthetic beauty of sequences staged. Little grain, a beautiful light on both external (the whites are putting the over-exposure time) on the interior. At all good at this first level of visual approach. treatment is then discussed the 3D depth. It is pleasant early in the film, quite convincingly in general. Continued viewing will strengthen the tendency of the film: the wide shots of the day and night (bluish) are often very successful with a great depth and excellent detachment elements on different layers. Besides this, there are some exterior scenes that show sometimes flat, others very flat with little 3D effects. The same often close-ups, operating depth too soft accompanied by an abuse of the fuzzy backgrounds strongly degrade depth. Unsurprisingly, note the traditional way like many recent 3D conversions market that, over the progression in history, the magnitude of the depth increases significantly, so that the second half seems more convincing than the beginning of the film. Some sequences cults movies like sequence on the roof of the train show great effects of depth and detachment and return to a score of 4 to 4.5 / 5. Ditto for the Battle of Gettysburg against vampires southerners who proves exemplary in its treatment. Meanwhile there is a part of the film that takes more towards the 3/5 side depth with many timely access to 4/5 for many sequences. Again, it is difficult to evaluate content on the 3D depth is quite heterogeneous: the average seems to revolve around 3.5 / 5 which is pretty good, knowing that grade point average (sequences) heterogeneous (in the case of this film in this case) means that sequences are report noted above this average and others below.According to their affinities, we note some sequences than others to complete his judgment.





 

Pop-out: 
The director's good not to focus only on the effects of depth and obviously thought the entertainment around the 3D gadget embodied effects spurts like projections. Firstly we start with the register overflows: it is regularly used, more soft than the recent competition: one sees or busts of decorative elements of the first planes out regularly now. But unlike a Men In Black 3 3D or Blu-ray 3D Titanic where the overflow of the first plane appears so highly detailed and clear here in Abraham Lincoln extensions of elements and characters are often of appearance slightly blurred, which reduces the impact of realism desired. was then discovered fairly quickly in the film (under 15 minutes) the first real effects of bursts with the register of projection: ax, blood effects. The good surprise was confirmed during the continuation of the story and is fun to see that Timur Bekmambetov tries to give us his version of pseudo-historical Blade with systematic exploitation effects spurts. His imagination to decapitate the heads of vampires is limitless and all imaginable situations are staged their lot with effects that go with it. weapons regularly point out of the screen, but it is a shame as in many competitors with 3D movies and spurts were added in post-production, gushes that the most excessive and permanent static type bursts off the screen for a few seconds are a little too blurred for my taste.Shame as a more detailed treatment would have strengthened the realistic impact. This does not preclude some scenes work well and successfully take you by surprise and make you jump. We also regret that 1 or 2 sequences spurts are not ideally framed to extract all the expected strength. Meanwhile the film sequences offer some pretty exhilarating and a rare success: the first very short runs mid-film during a chase through the woods there is a long sequence of burst behind a 15 bat through the entire piece behind the couch until around before disappearing off the screen depth, and with this rendering ultra realistic and detailed (we find the same kind of effect in the last Avengers Blu-ray 3D with these sequences spurts back Countless ships and Iron Man across the room back and forth). The second sequence, one of the most beautiful scenes of gushing 3D film takes place during the long sequence cult chase the runaway train all speeds (around 1:20) stage, which lasts 12 minutes, and offers almost not stop the most beautiful effects of permanent spurts of sparks (due to friction of the train on the rails) that float and spin around the room for tens of seconds and it dozens of times around the many choreographies staged on top of the train. Icing on the cake, we also benefit from superb spurts permanent effects of smoke and fog extended from the wall.









 

Global 3D Evaluation:
Entertainment Action / Fantasy which has a pretty amazing pace and tone assumed that chooses to comply with any code of genre, Abraham Lincoln Blu-ray 3D on a 3D implementation uncomplicated as to enhance the viewing pleasure. Served by a 3D depth relatively satisfactory overall although often heterogeneous, with a good half of the film with 3D depth refers to an assessment of 3/5 while the rest of the film oscillates between 3.5 and 4,5/5), Abraham Lincoln inherits 3D effects fortunately many gadgets spurts type 'projection' that complete completely envelope the film, giving it a flavor popcorn 3D undeniable. Once again it is quite far from the strong and constant depth displayed in the last hits 3D techniques that are Avengers 3D  Titanic 3D but many orchestrated sequences, the film allows time not ashamed of the comparison. Still, the effects of bursts that have a made ​​a little blurred sometimes catch up with their numbers and the presence of a sequence worship on the roof of a train going at full speed, sequence offers the most beautiful effects spurts particles (sparks and smoke volume) to date, and over a period of several minutes hallucinating. Finally a note generous 4/5, to refine the next viewing!

Top 3D sequencesAbraham Lincoln Blu-ray 3D
TimeType of 3D effect Description
8:51GushingGun is a tip!
9:10GushingParticle Effects
9:46GushingThe bullet that kills
9:48DepthThe view of the pier
9:53GushingThe fog
3:18 p.m.GushingShotgun
4:52 p.m.GushingShards of wood & bark
8:10 p.m.DepthStreet and particles
25:03GushingA mouth and teeth!
26:10GushingCord blood +
29:46GushingVampire teeth
30:09DepthHeight of view
42:47DepthEndless alley
40:25GushingHorses and particles
41:36GushingSalto
42:44GushingButt and barrel
43:42GushingAx
44:32GushingDust and hand!
47:33GushingThe rain!
52:44DepthBay of New Orleans
54:37GushingBlood & jaws
55:15DepthDepth and detachment
58:41DepthThe clearing
58:55GushingThe Bat
1:03DepthWashington
1:12: 38GushingBattle and arms!
1:23: 28GushingTrain, smoke sparks
1:25GushingSerial Killer
1:29: 13DepthThe bridge on fire!
1:31: 22DepthDizziness fire!
1:33: 49DepthThe final charge
1:34: 18DepthRange


mercredi, octobre 24, 2012


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